Yamaha HTR-6240BL 525-Watt 5-Channel Home Theater Receiver Sale-$329.95!

26 juillet 2011

Yamaha HTR-6240BL 525-Watt 5-Channel Home Theater Receiver

Yamaha HTR-6240BL 525-Watt 5-Channel Home Theater Receiver Sale-$329.95!

Compare & Purchase Yamaha HTR-6240BL 525-Watt 5-Channel Home Theater Receiver at Amazon by clicking here!

List Price: $379.95

Amazon Price: $329.95

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Yamaha HTR-6240BL 525-Watt 5-Channel Home Theater Receiver Description:

Yamaha HTR-6240BL 525 Watt 5-Channel Home Theater Receiver

  • Amazon Sales Rank: #4757 in Consumer Electronics
  • Color: Black
  • Brand: Yamaha
  • Model: HTR-6240BL
  • Dimensions: 8.82″ h x 21.38″ w x 17.05″ l, 18.52 pounds

Features

  • 5-channel 525W powerful surround sound (105W x 5)
  • 1080p-Compatible HDMI 1.3
  • Bluetooth music streaming using Yamaha YBA-10 Bluetooth Audio Receiver
  • Connect an iPod using Yamaha YDS-10SL Universal iPod Dock

Customer Reviews:

Versatile receiver for HD and music – Good Value4
I’ve had the RX-v465 for over a month now, so i’ve had plenty of time to get comfortable with the receiver. I purchased this b/c it seemed like the best value. My major goals were to find a receiver that had HDMI vid and audio pass-thru and had good quality cd music output – and the rx-v465 delivered!

PROS:
I used the mic to auto-calibrate the sound quality – very easy (do this before using it). CDs (analog) sound great and digital audio sounds even better. The sound settings are great: it has several sound enhancer settings for a full/modern sound and even a ‘direct’ mode where the receiver uses the minimum electronics to provide a pure (almost vinyl) sound. These settings are easy to access once you get comfortable with the remote.

It has plenty of inputs for all of your older (rca) and newer (HDMI) devices. For TV, I run my comcast dvr box via an hdmi cable to the receiver, then run an hdmi from the receiver to the tv. For dvd, i run hdmi to the receiver. Only one cable (an hdmi) is needed from the receiver to the TV (sony bravia 52v5100). Video quality and dolby digital audio quality is excellent. It even allows you to view TV without turning on the receiver (downside in this mode is you can’t listen to the sound system). Also, my cable remote can control the receiver volume when watching tv when the pass-thru mode is set (control-on).

CONS:
1. There is an annoying time delay (up to 3 seconds) when switching from HD to non-HD channels and when pulling up the dvr menu/list and cable guide. The receiver is thinking /switching digital modes and makes clicking sounds as it switches resulting in sound but no vid. This issue took me some time to get used to and will be a deal-breaker for most people.
2. Longer delay / thinking when the receiver is turned on and the hdmi input is set. Same clicking and no vid as it finds the right mode for the data that is coming in.
3. Remote is annoying, not built well, but whatever, its not a deal breaker.

OVERALL, i’m happy with this receiver at the price i paid when compared to other available receivers with similar features/functions.

High Hopes Dashed Easily – HDMI problem3
When I set out to buy a receiver, I almost instantly settled on the Yamaha brand because of its excellent reputation and the fact I could sync up my lap top to it to play music through the bluetooth device (Yamaha YBA-10WH Bluetooth Wireless Audio Receiver for Select Yamaha Home Theater Receivers). My media center is also fully enclosed so I didn’t want a unit that would run hot. I wasn’t terribly concerned with format decoding or watts because I was using a DVD player that did all the decoding and I wasn’t using overwhelming speakers (Harman Kardon HKTS-18 5.1 Channel Speaker System).

My problem – the unit refuses to cooperate with my HD DVR cable box that was provided to me courtesy of Time Warner. It is a Scientific Atlanta Explorer 8300 HDC. There is some problem with the HDMI « handshake » between the two units where the audio does not come through and the video will sometimes briefly cut out. This problem would still exist when I would turn off the Yamaha to allow the signal to simply « pass through ».

Yamaha said its Time Warner’s fault and TW said its Yamaha’s fault. I ultimately gave up trying to figure it out and didn’t feel like going throguh an exchange. Instead, I hooked up the HDMI cable to the TV and bought an optical cord for the audio to get sent from my TV to the receiver. While I don’t mind since I like to watch sports with music in the background, this problem shouldn’t exist!

Everything else on the receiver works very well and the features are outstanding. The receiver after hours of use only gets warm. Well worth the price. Would be a 5 star product if this problem didn’t exist and Yamaha was more accomodating to try and help me out.

More Than I Expected5
This receiver does everything I want it to, and then after carefully reading the manual, I realized it does a few other things that I was pleased about.

The best surprise was discovering this receiver has a HDMI pass-through capability. In a lot of cases when we watch TV, we are fine with the TV speakers. Don’t really want to fire up the whole system just to watch the weather. I was intending to run the HDMI from the cable set top box directly to the TV and then running a digital optical from the set top box to the receiver. With the pass -through, I can just run an HDMI from set top box to receiver. The down side with the pass-through is you have to remember to switch to the HDMI input needed for pass-through before turning off the receiver.

Here is some clarification on Straight and Direct modes. From reading the manual, I thought the subwoofer would not be employed. I have a subwoofer hooked up to LFE, Bass Management set to SWFR, and front speakers set to Small. Using two channel Dolby sources, I found that in both Straight and Direct modes, the subwoofer was used. Straight is like having no DSP. Direct is like having no DSP and no tone processing. But the Bass Management seems to still be in play; at least with digital sources. I don’t have any analog sources, so I can’t comment on analog sources. This clarification is important to me because I have tiny front speakers not really capable of reproducing stereo music faithfully on their own. (see correction below)
– Begin Update 1/9/2010 –
When you use two channel Dolby matrix encoded sources, what is stated above is true. Straight and Direct utilize the subwoofer. I have since realized with two channel PCM digital sources, Straight uses the subwoofer, Direct will not use the subwoofer. So if you want to listen to say a CD using a digital connection and you have small front speakers, use Straight or one of the Stereo modes. You will get full range sound with your subwoofer.
– End Update 1/9/2010 –
– Begin Update 12/10/2009 –
It appears that when you use Dolby TrueHD and the DTS-HD Master Audio, the Cinema DSP modes are not available. If you try to select a Cinema DSP mode, it will go to Straight. This is generally not a big deal, as most with a full 5.1 or 7.1 speaker setup will want to use Straight. I myself have a 2.1 speaker setup so was counting on Virtual Cinema DSP. Virtual Cinema DSP is not available in Straight. This is not a big deal to me because the Virtual Cinema DSP ended up being a bust anyways (see below).
– End Update 12/10/2009 –

One of the reason I picked this receiver is the virtual surround feature (called Virtual Cinema DSP). I have to say I cannot hear the virtual surround effects. I switch between Straight (which has no virtual surround) to one of the Cinema DSP modes and cannot tell the difference. Oh well, I still am very happy with the receiver. I’ve only owned it a few days, so maybe I need to listen to more sources.

Don’t get your hopes to high on the YPAO (Yamaha Parametric Acoustic Optimizer). This is a tool where you hook up a supplied microphone and have it kick off an automatic calibration process. I found that some things YPAO set was correct, but other settings it decided on was a bit flawed. It determined my speaker set up correctly. It determined the size of my front speakers correctly. It decided on the correct subwoofer setting. The distance settings were accurate to less than half a foot! Those are critical to get right. But the Bass Management cross over setting and subwoofer level I was not statisfied. It set the cross over to 160 Hz. This does not make sense when the frequency response of my subwoofer is 20 – 150 Hz and the frequency response of my fronts are 57 – 30,000 Hz. I decided to set the cross over to 100 Hz, the cross over setting recommended by the manufacture of my front speakers. Setting the subwoofer level ended up being a very long process of listing to many different music sources and movie sources. YPAO is not going to get you out of this effort if you want a nicely balance system.

Another feature I was pleasantly surpriced about is the Scene feature. It has ended up proving to be quite handy, especially for the rest of my family. With the Scene, you can program an input, processing, and can turn on another external device. What is great about Scene, is it not only switches to an input and processing, it will turn the unit on if it is off when you push one of the four scene buttons. So I tell my wife, « If you want to hear the cable tv through the stereo, just push the « TV » button. » When she does this, the receiver turns on. The HDMI pass-through turns off. Audio amplification comes out the receiver. Audio to the TV via the HDMI out on the receiver is stopped (so no sound comes out the tv speakers). The right input is selected, and the right sound processing is selected. All from pushing one button.

Keep in mind, this receiver will not send analog video sources out the HDMI. So, for example, if you want to hook up your camera to the front composite video input, it will not go out the HDMI output. It will go out the composite video output. You need the next receiver up, RX-V565, to do that.

I am so happy with this receiver and I think the price is very fair. I can’t really justify paying for a more expensive receiver because this one does everthing, and then some more, of what I want.

– Begin Update 12/16/2009 –
Another thing I wanted to point out is the amp rating. It is not considered a full bandwidth amp. Most amps in this price range are not full bandwidth. Amps that are not rated full bandwidth will have problems in the low frequencies. I am not concerned about this because I have my Bass Management configured to put all the bass through the subwoofer. The subwoofer is powering the bass. You should be aware of this if you use full range speakers and you want the bass to come out these speakers. If I had full range speakers, I would still set them to « Small » and let the subwoofer handle the bass.
– End Update 12/16/2009 –

From the Manufacturer
From the Manufacturer

Yamaha’s New Home Theater Receiver

From the Manufacturer
Yamaha’s new 525-Watt 5-Channel HTR-6240 Home Theater Receiver offers many advanced features to ensure maximum enjoyment of your home entertainment sources. These include 1080p-compatible HDMI (4-input, 1-output), iPod and Bluetooth compatibility, Yamaha CINEMA DSP, improved YPAO sound optimization, and four SCENE buttons.


Four HDMI Inputs and one output support 1080p

Canon PowerShot D10 12.1 MP Waterproof Digital Camera + 4GB Accessory Kit Sale-$329.95!

19 juillet 2011

Canon PowerShot D10 12.1 MP Waterproof Digital Camera + 4GB Accessory Kit

Canon PowerShot D10 12.1 MP Waterproof Digital Camera + 4GB Accessory Kit Sale-$329.95!

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List Price: $399.99

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Canon PowerShot D10 12.1 MP Waterproof Digital Camera + 4GB Accessory Kit Description:

For those with a taste for adventure, there’s a camera as bold as the active life you lead. It’s the Canon PowerShot D10. Waterproof, freezeproof and shockproof; it’s tough enough to take what you dish out. Plus it’s got all the high performance features you expect from a Canon digital camera. You’ve got 12.1 megapixels of resolution plus all of Canon’s powerful, state-of-the-art imaging technologies so you can capture your epic experiences in breathtaking color and awesome detail. Smart AUTO intelligently selects the proper settings for the camera based on 18 predefined shooting situations Blink Detection alerts a shooter after a shot has been taken that a subject has closed eyes DIGIC 4 Image Processor has evolved Face Detection Technology that tracks the faces of moving subjects and lets the shooter enter the frame seamlessly with the Face Detection Self-Timer Jpeg Compression – Still Image – Exif 2.2 (JPEG); Movie – MOV (Image – H.264; Audio – Linear PCM (Monaural)) Number of Recording Pixels – Still Image – up to 4000 x 3000 (Large); Movie – High Definition – up to 640 x 480 (30 fps) Continuous Shooting – Approx. 1.1 fps (Large/Fine) ISO Sensitivity – Auto, ISO 80/100/200/400/800/1600 equivalent Storage Media – SD/SDHC Memory Card, Multimedia Card, MMC Plus Card, HC MMC Plus Card Video Out – NTSC/PAL Power Source – Rechargeable Lithium-ion Battery Shooting Capacity – Still Image – approx. 220 shots Playback Time – Approx. 360 min A selection of unique accessories available such as customized straps and interchangeable faceplates Dimensions (WxHxD) – 4.08 x 2.63 x 1.92.
4GB Accessory Kit: 4 Gigabyte SD Secure Digital Memory Card – Universal Memory Card Wallet – Well Padded Digital Camera Carrying Case with Pocket and Strap – Lens Care & Cleaning Kit – Package of LCD Screen Protectors – Flexible Legged Mini Table Tripod – BONUS!! – Free 25 Quality Prints (Promo code# on invoice).

  • Amazon Sales Rank: #66083 in Camera & Photo
  • Brand: Canon

Features

  • Canon PowerShot D10 12.1 MP Waterproof Digital Camera with 3x Optical Image Stabilized Zoom and 2.5-inch LCD (Includes manufacturer’s supplied accessories)
  • 4 Gigabyte SD Secure Digital Memory Card – Universal Memory Card Wallet
  • Well Padded Digital Camera Carrying Case with Pocket and Strap
  • Lens Care & Cleaning Kit – Package of LCD Screen Protectors
  • Flexible Legged Mini Table Tripod – BONUS!! – Free 25 Quality Prints (Promo code# on invoice)

Customer Reviews:

TAKES GREAT UNDERWATER PHOTOGRAPHS4
DISCLAIMER: I did not use the camera myself. I purchased it as a gift for my daughter just before her trip to Hawaii. Here are her opinions:

PLUS: Easy to operate. But she’s had a Canon before.
Quality pictures.
Great underwater shots.

NEG. A bit bulky.
No lens cover. She said soneone else had a Nikon & it had a
sliding lens cover. That would be useful I think.
Limited zoom.
Does not float.

Voigtlander Nokton 35mm f/1.2 Aspherical Wide Angle Leica M Mount Lens – Black Lowest Price!

10 juillet 2011

Voigtlander Nokton 35mm f/1.2 Aspherical Wide Angle Leica M Mount Lens - Black

Voigtlander Nokton 35mm f/1.2 Aspherical Wide Angle Leica M Mount Lens – Black Lowest Price!

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List Price: $1,700.00

Amazon Price: $889.00

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Voigtlander Nokton 35mm f/1.2 Aspherical Wide Angle Leica M Mount Lens – Black Description:

  • Amazon Sales Rank: #104969 in Camera & Photo
  • Brand: Voigtlander
  • Model: 131408
  • Dimensions: .95 pounds

Customer Reviews:

Quit Smoking Cigarette

Lowepro Magnum 400 AW Shoulder Bag Black Lowest Price!

21 juin 2011

Lowepro Magnum 400 AW Shoulder Bag Black

Lowepro Magnum 400 AW Shoulder Bag Black Lowest Price!

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List Price: $279.99

Amazon Price: $199.95

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Lowepro Magnum 400 AW Shoulder Bag Black Description:

Lowepro’s Magnum 400 AW shoulder bag is built on the foundation of its predecessor: the original pro bag designed in 1976 and an industry standard to this day. The next generation of Magnum AW remains a serious toolbox for the pro photographer. Portable, modern and loaded with topnotch features, it delivers on all tasks: organizing, protecting and transporting gear from point A to point B. The internal dividing system provides a flexible structure to accommodate a variety of gear, plus on-the-go changes. Lowepro’s patented All Weather AW Cover protects bag and contents from the elements and zips away when not in use. A premium molded base offers the busy professional a trio of benefits: sturdy and stable protection, water resistance and the ability to stack multiple bags efficiently. Transport a heavily loaded Magnum AW (or two or three) with ease via adjustable handcart straps that attach to handles quickly and securely. Or carry the bag on the shoulder with the Vertebral Tech strap. An exclusive Lowepro design, this intelligent strap provides comfort and spreads weight evenly—no matter which way it’s worn.

  • Color: Black
  • Brand: Lowepro
  • Model: Magnum 400 AW
  • Dimensions: 11.00″ h x 9.60″ w x 13.80″ l, 5.60 pounds

Features

  • Removable, adjustable Vertebral Tech Shoulder Strap boasts a four-way contoured design that ensures comfortable placement on body no matter how it’s worn; bends to conform and spread weight evenly over the length of the double-foam padding.
  • Rain-flap lid and All-Weather Cover protects the bag and its contents from rain and other harmful elements
  • One-piece foam framing and premium-quality molded base provides superior, sturdy and stable protection at critical points and corners, water resistance and the ability to stack multiple bags
  • 2 side pockets; 3 SlipLock attachment tabs; and removeable accessory pocket provide extra storage space for cords, cables, memory cards, batteries and other accessories.
  • Oversized locking zippers are easy to open and secure the bag with a lock (not included)

Customer Reviews:

Excellent Camera Bag5
I am very impressed with the features and layout of the Lowepro Magnum 400 AW camera bag. Having spent the past several years toting my camera gear around in a Tamrac Pro 12, I was excited to see what Lowepro had to bring to the table in a similar sized shoulder bag.

The Lowepro Magnum 400 AW features plenty of room for lenses, flash, filters, two SLR or DSLR camera bodies manuals, and other accessories. The main compartment of the bag features velcro dividers that are foam padded and have a soft lining to keep the gear nestled into the bag without worry of damage. The dividers are moveable and can be arranged in any number of ways to suit your own gear and carry style. The camera bodies are carried vertically with the lens down with bag, which I am not used to, and doesn’t seem quite as stable as the horizontal carry style with lens cradled underneath and from the sides, which is how I’m used to carrying them in the Tamrac Pro 12. Whether one style of holding the camera is better than other I cannot say, but the Lowepro bag does seem to make reaching in and grabbing the camera slightly easier, due ot the camera’s orientation in the bag. In the cover of the main compartment are two zippered see-through pockets that are handy for keeping small reference manuals, business cards, or other non-bulky materials.

As for camera fit, I was able to fit my Nikon D300 inside and it felt perfect with the size of the compartment. Trying out my other cameras in the 2nd camera compartment, I found my Nikon N80, Nikon F3HP, and Nikkormat FT3 were a bit on the smallish side compared to the digital SLR’s of today, and as such felt small inside the bag’s camera compartment and would shift around quite easily, though this would cause no damage to anything as the dividers and padding would prevent any contact with other items in the bag.

The front zippered compartment has several small pouches sewn in to hold your accessories, such as pens, batteries, cables, and other items of interest. A zippered mesh pouch is also provided in the flap, which is a great place to store anything else that won’t fit into the smaller pouches. I was able to fit most of my accessories in the front without any issue, though there was less space there than in my previous bag, so it took a little reorganizing to get everything placed conveniently. The side pockets are also spacious and the flaps zipper open a good 3/4th of the way around the pockets to provide easy access to anything you store inside these side pockets.

The exterior of the camera bag is touted as being water resistant, but anywhere there are zippers (these are non self-sealing zippers) there is a chance for water to leak in. Even keeping the exterior treated with a coating of camp-dry or other waterproofing spray will not completely eliminate the chance of water leaking in through any of the zippers, or soaking through fabric where the treatment has worn off. This is not a major issue with the Lowepro Magnum 400 AW camera bag however, as the innovative folks at Lowepro have managed to stash a little goody in the back pocket of the bag. Unzip the back pocket and out comes a waterproof rain cover that covers the entire bag, top and sides, keeping the heaviest of rains from getting into the camera bag. This is a great feature for outdoor photographers who take chances of getting stuck in a sudden downpour when out and about. Of course, I wouldn’t go leaving the bag out unsheltered if at all possible, and you aren’t going to want to set the bag down where water will pool around the base. This is still a fabric bag, and will not be 100% sealed from the elements like a bulky Pelican case would be.

There are plenty of carry choices with this bag, from a luggage carrier sleeve, to dual handles on either side of the lid, a single handle in the center of the lid, or a very thick, well padded shoulder strap with metal attaching hardware. Also found on the exterior of the bag are a couple of tripod straps, which hold the tripod at the back of the bag, but off the ground. This is a huge improvement over my Tamrac Pro 12 which holds the tripod at the bottom rear of the bag, making it the first thing to clunk down on the ground when setting the bag down. Kudos to the folks at Lowerpro for the excellent, well thought out placement of the tripod straps!

In addition, the Lowerpro Magnum 400 AW is digital friendly and came with a removable pouch that holds extra memory cards, batteries, and even enough room for a Firewire or USB card reader. Also of note is that this camera bag meets size requirements for carry-on baggage when flying is the method of travel. Overall, the bag is rugged, well built, with sturdy hardware, and overall is very well thought out in terms of functionality, durability, equipment protection, and ease of use. This bag has by far exceeded any expectations I could have wished for from a camera bag of this type.

Great bag; holds a a lot of gear!5
I bought the LowePro Magnum 400 AW bag in early December to use as a travel-lite case for smaller assignments. I have to say that this is one sturdy and solid case! I’m able to accommodate a D700 with 14-24 2.8 attached, a D300 with 17-55 2.8 attached, 70-200 2.8, 24-70 2.8, 50 1.4, 60 2.8 macro, and an SB-800 speedlight in the main compartment. The outer pockets hold my Pocket Wizard Plus II’s, SD-8a, extra batteries, chargers, and lots of other stuff. There are several good ways to carry this bag around, and all feel very secure. Be warned, though…the bag gets HEAVY with so much stuff inside. All in all, I’m pleased.

AMAZING BAG. IT IS JUST TOO BIG AND HEAVY TO CARRY1
I own the LOWEPRO commercial camera bag. The commercial bag is a big bag. So I am use to big and pretty heavy camera bag. I thought I would buy the new magnum 400 bag because it will be more weather proof. I was right.

The new magnum 400 bag is more weather proof. The top lid is amazingly weather proof and so is the overall bag. The construction is super strong. The construction is far superior to my lowepro commercial bag. The lowepro commercial bag is also a very well made camera bag. But the new magnum 400 bag is way better made with better design and materials.

But the magnum 400 is too big and too heavy to carry. And this is coming from someone that is use to carrying the pretty heavy lowepro commecial bag around on a regular basis on long photo trip vacations in europe, hawaii, and canada. The new magnum 400 bag is super heavier and super bigger.

The magnum 400 is the best camaera bag made in the world. But it is so big and heavy there is no way I am going to use it. I do not know who could really carry this bag around on a regular basis. Definitely you could not use this bag on photo vacation trip. I should have bought the lowepro magnum 200 instead of the 400. I am now going to order the lowepro magnum 200 bag. The lowepro magnum 200 bag hopefully will be just as well made as the 400 but hopefully will not be has heavy and as huge. I just wanted to warn everyone how huge and how heavy the magnum 400 bag is.

From the Manufacturer

Description:
Lowepro’s Magnum 400 AW shoulder bag is built on the foundation of its predecessor: the original pro bag designed in 1976 and an industry standard to this day. The next generation of Magnum AW remains an essential toolbox for the pro photographer who needs to store, protect and carry gear from one location to the next. Transport a heavily loaded Magnum AW with ease via the adjustable handcart straps that attach to handles quickly and securely. The premium molded base offers sturdy and stable protection, water-resistance and the ability to stack multiple bags safely and efficiently. Carry the bag on the shoulder with the Vertebral Tech Shoulder Strap: it spreads weight evenly-no matter which way it’s worn, and provides long-lasting support and comfort.

Hardware Capacity:
1-2 pro DSLRs with standard zoom lens attached; 6-8 lenses (up to 70-200mm f/2.8); accessories

Magnum 400 AW:

  1.    Essential Toolbox Design
    Stores, protects and carries valuable kit from one location to next

  2.    One-Piece Foam Framing
    Provides superior protection at critical points and corners
  3.    Adjustable Padded Dividers
    Allow full customization of kit to accommodate multiple gear scenarios
  4.    Rain-Flap Lid with Locking Zippers
    Provide extra protection from moisture and added security (lock not included)
  5.    Trolley Sleeve & Handcart Straps
    Attach and secure bag(s) to luggage and most handcart systems for easy transport
  6.    Premium Molded Base
    Provides stable protection, water-resistance and stackability

Additional Features & Benefits:

  • Vertebral Tech Shoulder Strap: Patent-pending design ensures a comfortable fit no matter how strap is placed: left shoulder, right shoulder, facing up or down
  • Padded Grab Handles: Offer a well-balanced carrying option for extra-heavy loads
  • All Weather AW Cover: Protects bag from the elements and zips away when not in use

Airline carry-on compatible

Cables To Go 50091 Minicom SP Controls VGA to Cat5 Transmitter/Receiver Lowest Price!

20 juin 2011

Cables To Go 50091 Minicom SP Controls VGA to Cat5 Transmitter/Receiver

Cables To Go 50091 Minicom SP Controls VGA to Cat5 Transmitter/Receiver Lowest Price!

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List Price: $954.15

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Cables To Go 50091 Minicom SP Controls VGA to Cat5 Transmitter/Receiver Description:

CatLinc™ VGA distribution over 300 feet: Simplify your cabling, reduce your costs.

  • Amazon Sales Rank: #174335 in Consumer Electronics
  • Brand: Cables To Go
  • Model: CATLINVGA
  • Dimensions: .0″ h x .0″ w x .0″ l, 1.00 pounds

Features

  • This video transmitter offers an economical and effective way of sending your VGA video signals over common Cat5 cable up to 300 feet or more

Customer Reviews:

Canon EF 1.4X II Extender Telephoto Accessory-Retail $519.97! Sale Only $294.99!

19 juin 2011

Canon EF 1.4X II Extender Telephoto Accessory

Canon EF 1.4X II Extender Telephoto Accessory-Retail $519.97! Sale Only $294.99!

Compare & Purchase Canon EF 1.4X II Extender Telephoto Accessory at Amazon by clicking here!

List Price: $519.97

Amazon Price: $294.99

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Canon EF 1.4X II Extender Telephoto Accessory Description:

Canon is an industry leader in professional and consumer imaging equipment and information systems. Canon’s extensive product line enables businesses and consumers worldwide to capture, store and distribute visual information. Cannon provides a wide range of accessories that are fully tested and 100% compliant with the corresponding equipment. All accessories are noted for their high reliability and superior quality.The Company offers its new EF 1.4x II extender that is designed for use with all Canon EOS System cameras and most high-end EF telephoto and super-telephoto lenses including all fixed-focal length L-series lenses from 135mm to 1200mm as well as several L-series EF telephoto zoom lenses. Its new internal anti-reflection construction improves contrast even when shooting in heavy backlit conditions. The EF 1.4x II extender will give photographers the additional telephoto capabilities they need without sacrificing image quality. In addition, the compact design of the extender will allow photographers to travel with a lighter, more compact gadget bag.

  • Brand: Canon
  • Model: 6845A004
  • Dimensions: 3.70″ h x 3.80″ w x 4.40″ l, .49 pounds

Features

  • 1.4x telephoto extender for multiplying focal length of Canon 135mm or longer lenses
  • Fits all 135mm or longer fixed focal length lenses and some 70-200mm telephoto lenses
  • Preserves autofocus on any EOS camera when combined with f/4 or faster lens
  • Weather-resistant construction and improved anti-reflective surfaces in the barrel
  • Measures 2.9 inches in diameter and 1.1 inches long; weighs 7.8 ounces

Customer Reviews:

A great way to extend the reach of compatible lenses5
The 1.4X II teleconverter is a modest update to Canon’s earlier 1.4X TC. The mark II allows this extender to be stacked with another of Canon’s extenders (either another 1.4X II or the 2X II) without having to separate the two with an extension tube (although the loss of sharpness from stacking extenders may not be acceptable to you). Otherwise, the quality of the newer 1.4X II is supposed to be very similar to the older model, which I’ve never owned.

The 1.4X II is a great way to extend the reach of compatible lenses. Note that not every Canon lens is compatible with this extender. The following is from Canon’s Web site: « This tele extender can be used with fixed focal length lenses 135mm and longer (except the 135mm f/2.8 Softfocus lens), and the EF 70-200 f/2.8L, 70-200 f/2.8L IS, 70-200 f/4.0L, and 100-400 f/4.5-5.6L IS zoom lenses. »

I use it frequently with my Canon 70-200mm f/2.8L IS, which turns it into a 98-280mm zoom. The extra reach it adds is not tremendous, but it’s very welcome when I just need a little more than what the lens alone can give me.

I’ve found no appreciable loss in sharpness from using the 1.4X. Of course, any extender is going to reduce sharpness to some degree, but with normal examination, I can’t distinguish photos taken with the 70-200mm that use the 1.4X from those that don’t. The fact that the 70-200mm f/2.8L is a very sharp lens to begin with helps in this department.

Using the 1.4X decreases your lens’ widest aperture ‘capability’ by one stop. With some lenses, that can be more significant than it appears on the surface; when using a non-pro Canon body (such as my 20D) the lens must have a minimum wide-open aperture ‘capability’ of f/5.6 for autofocus to work. The lens doesn’t have to be set at f/5.6, it just has to be ‘capable’ of at least f/5.6 after adjusting for the one stop loss from the 1.4X. That means with some camera/lens combinations, adding the 1.4X will force you to focus all of your shots manually. (Note: There is a known ‘fix’ for this that restores autofocus. I’ve never needed to try it, but it involves taping over some connector pins on the 1.4X to fool the camera body. Proceed with caution if you try this, and do a Google search to learn how to do it right before attempting it.)

The 1.4X also reduces focus speed very slightly. I’ve only used it on my 70-200mm IS, which has Canon’s USM and is a fast-focusing lens to begin with, but the decrease in speed is so slight I really don’t notice it. And it does not affect IS (Image Stabilization) at all.

The 1.4X is built to the quality of Canon’s L-series lenses, which means that it is weather sealed and will keep a Canon pro body and L-series lens weather sealed when used with them.

If you’re considering this extender, you’re probably also considering Canon’s 2X II teleconverter. I do not own the 2X but did a lot of research on it before ultimately deciding to go with the 1.4X. The 2X decreases your aperture by two stops, and is reported to have a noticable decrease in sharpness–more than some photographers are willing to live with. On the other hand, I’ve never read a review that complained about the loss of sharpness from the 1.4X.

If you’ve already invested a lot of money in telephoto lenses, the 1.4X II is a relatively inexpensive way to get even more reach (and value) out of your investment while adding only a modest amount of bulk to your camera bag. Highly recommended.

The 1.4x is far superior to the 2.0x5
I have both the 1.4x and 2x teleconverters from Canon. Neither, despite what people say, produces an image that just as sharp as the original lens. But images through the 2x are noticably bad from even a casual inspection while images through the 1.4x hold up very well. Carefully controlled test shots are the easiest way to really see the problems in this converter. But for the most part the 1.4x won’t be a liability in sharpness.

The 1.4x loses one stop of light. So while this does work on a 100mm-400mm f/4.5-5.6 IS L lens, I wouldn’t reccommend it. Save this for the 200mm f/2.8 L, and the 300mm f/2.8 IS L, and any bigger primes you have.

Nice accessory to get closer4
I have used the 1.4x II extender for over a year. It gives me amazing detail with my 70-200L f/4 lens on a 20D. I use it mostly for wildlife and butterflies. Contrast is good with colors that pop. When shooting on a sunny day the shutter speeds are still quick with the f/5.6 and the background is blurred beautifully. In shade areas and low light a tripod is a must! There hasn’t been any sacrifice in subject detail. I can see individual hairs on butterfly bodies even when shooting wide open. This is a great way to get closer without paying a significant amount for a supertelephoto lens.

Amazon.com Product Description
Multiply the focal length of your 135mm or longer lens by 1.4x without sacrificing image quality with the Canon EF 1.4x II extender. Optically superb, the lens fits all Canon 135mm fixed focal length lenses (except the 135mm f/2.8 Softfocus lens), along with the EF 70-200mm f/2.8L, 70-200mm f/2.8L, 70-200mm f/4.0L, 70-200mm f/4.0L IS USM, and 100-400mm f/4.5-5.6L IS zoom lenses. In addition, the extender doesn’t sacrifice your autofocus on any EOS camera as long as it’s combined with a lens having an f/4 or faster maximum aperture (the extender reduces the effective aperture by one f-stop). Best of all, this version maintains the outstanding optics of the earlier incarnation, but adds a weather-resistant construction and improved anti-reflective surfaces in the barrel. The EF 1.4x II extender, which measures 2.9 inches in diameter and 1.1 inches long, weighs 7.8 ounces.

SoundStation2 Direct Connect for Nortel Review.

18 juin 2011

SoundStation2 Direct Connect for Nortel

SoundStation2 Direct Connect for Nortel Review.

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List Price: $999.00

Amazon Price: $642.57

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SoundStation2 Direct Connect for Nortel Description:

SoundStation2 Direct Connect for Nortel

  • Brand: Polycom
  • Model: 2200-17120-001
  • Format: CD
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.00″ h x 15.00″ w x 16.00″ l, 5.90 pounds

Features

  • Connect directly into a Meridian PBX digital wall jack
  • Dynamic Noise Reduction (DNR) reduces room/background noise for improved clarity
  • Speak in a normal voice and be heard clearly up to ten-feet away
  • Connect up to six locations without using a conference bridging service.

Customer Reviews:

Good, but could use one important feature3
I purchased the Polycom SoundStation2 for Nortel Network phone systems. Works fine with our Nortel Meridian phone system.

But there is one ‘minus’ for me…

For group conference calls, you need to use the Polycom SoundStation2 to call the other parties . The other parties can’t call your Nortel Meridian phone system, and then you transfer their calls to the Polycom SoundStation2.

TeleType 710060 WorldNav Truck Routing 7 Inch Portable GPS Unit Lowest Price!

16 juin 2011

TeleType 710060 WorldNav Truck Routing 7 Inch Portable GPS Unit

TeleType 710060 WorldNav Truck Routing 7 Inch Portable GPS Unit Lowest Price!

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List Price: $599.00

Amazon Price: $361.03

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TeleType 710060 WorldNav Truck Routing 7 Inch Portable GPS Unit Description:

TeleType introduced the first portable GPS for truckers understanding the need to support commercial drivers. This large 7-Inch touch screen GPS is great for professional truck drivers, bus drivers, and RV’ers. Insures that routes will follow roads that are suitable for truck travel, and the commercial driver can rely on the routing as it takes into account commercial truck restrictions such as bridge heights and clearances, load limits, and commercial restrictions. Typical truck configuration would be 13’6 » height, 80,000 lb weight, and 53′ length. Easily change the specifications to suit your truck including oversized and overweight vehicles. Hands free navigation instructions can be heard through your radio (with appropriate jack). Includes trucker friendly points of interest such as rest areas, truck stops, weigh stations, restaurants, hotels, and more. English, Spanish, and French text to speech instructions pronounces street names and exit numbers.

  • Amazon Sales Rank: #39364 in Consumer Electronics
  • Brand: TeleType
  • Model: 710060
  • Dimensions: 4.10″ h x 7.20″ w x 9.70″ l, 1.00 pounds

Features

  • Large 7-Inch Touch Screen Portable GPS
  • Truck Restriction Routing insures you travel on permitted roads only
  • Pays for itself – Avoid costly tickets, avoid tolls, navigate unfamiliar territory efficiently, saving time and gas
  • Hazmat routing – offers 10 levels of Hazmat routing
  • 12+ million Points of Interest pre-loaded including truck stops and weigh stations

Customer Reviews:

Somewhat dissappointed/ World Nav. for Truck drivers3
There are a couple of things that I wish were different about this device. First of all, during the day, it’s really hard to view the screen because of glare from the sun. The manufacturer recommended purchasing something from Best Buy or wherever that would go around it like a « visor ». Also, it doesn’t give much notice before you have to take an exit. I was already on an exit one time when the automated voice told me to take the exit. This could have been from the reason below.

The first time I used it, it worked fine. The second time I used it, it kept stalling in the « route directions » mode. I called the manufacturer and they are sending me another SD card (the card that has all of the currect mapping info. that you insert into the GPS). They said that they had gotten a bad « batch » of the cards and that the new ones should work fine. Keep this in mind if you get one that has problems. Also, keep ALL of the warranty/manual, etc. paperwork in case you need to return it. You can’t return it wouthout those.

somewhat disapointed3
I am a truck driver who bought the teletype 710060 gps.The features I like are the big screen and the ability to program the size trailer you have,53 or 48 foot,12.6 or 13.6 and the weight.Last week I was making multi stop deliveries in Philly and I truely depended on it for directions.It found all stops that had good addresses,but it lead me throu some develepments that I barley could make turns and had signs for no trucks over 4 tons. I had a 48 footer but programed a 53`.The biggest drawback of the 710060 is the voice.I turned the volume all the way up,tried both male and female voices,tried running it throu the fm radio,shut the jakes and still could not understand the garbbeled sound.very very poor audio.The next drawback is there is no battery back up,if you hit the cig liter by mistake you lose everything you programed in and must pull over and retype all information again.The external antenna is a joke,very flimsey hook up.I was in the Scranton area on the Gov. Bob Casey Hwy (about 6-7 years old)and the unit had no clue where it was,needs more recent maps.I don’t trust it 100% but its all that I found for trucks.

Truck Routing on a nice size screen5
I used to have a lap top navigation system in my truck. I think having all in one unit is a lot simpler. No booting time. WorldNav start right away as I start my truck. Routing comes up slower slightly then on the laptop but I understand why. The unit has most if not all restricted roads and low bridges.

Here is what I think
Advantages of the system
1. Easy to set up. System comes with all the maps for Truck Driving and for Car navigation
2. From the manual I can see that it is very easy to update. They send you a new SD card and you send the old one back
3. Screen is large
4. Rear view camera ready
5 FM transmitter to my radio in the truck
6. No need for external antenna although there is a jack for one

Cons
1. Screen has to be kept away from the sunlight or you will not see well
2. Warranty is only 1 year although I see that they offer extended warranty for 3 but you have to pay for it
3. Updates after 90 days are not free

I gave the unit 5 stars because although it can be improved they unit is the only one now on the market that offers truck routing and RV routing for such a low price.

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Net Media NM-UTPEYE-CN Indoor UTP EYE Color Video Camera Set Nickel-Retail $499.00! Sale Only $308.47!

15 juin 2011

Net Media NM-UTPEYE-CN Indoor UTP EYE Color Video Camera Set Nickel

Net Media NM-UTPEYE-CN Indoor UTP EYE Color Video Camera Set Nickel-Retail $499.00! Sale Only $308.47!

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Net Media NM-UTPEYE-CN Indoor UTP EYE Color Video Camera Set Nickel Description:

The NetMedia UTPEYE is a general purpose surveillance camera that utilizes a built-in NetMedia UTP Video Encoder and external UTP Video Decoder to exchange power and video across Unshielded Twisted Pair (UTP) cable, such as CAT5. There is no need to run multiple cables to the camera location! It mounts in round 4 inch electrical fixtures or 2.7 inch diameter holes and is viewed with a security monitor or television. To view the camera on a single standard television, use the TV’s composite RCA Video Input jack.

  • Amazon Sales Rank: #323644 in Camera & Photo
  • Color: Nickel
  • Brand: Net Media
  • Model: NM-UTPEYE-CN
  • Dimensions: 3.75″ h x 8.00″ w x 7.75″ l, 5.00 pounds

Features

  • 3.7mm Lens / Color Image Sensor 1/4″ CCD / Resolution 470 Lines / Field of view 54 degrees Horizontal / Min Illumination 0.5 Lux F1.2
  • Contemporary Aluminum Metal Design
  • Range up to 1000 Feet over UTP/Cat5 Cable
  • Works in low light conditions
  • One Wire Video Installation

Customer Reviews:

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Thermal Recpt Printer Dual Blk Parallel USB On Board Auto Cut-Retail $269.99! Sale Only $220.64!

14 juin 2011

Thermal Recpt Printer Dual Blk Parallel USB On Board Auto Cut. Thermal Recpt Printer Dual Blk Parallel USB On Board Auto Cut

Product: Thermal Recpt Printer Dual Blk Parallel USB On Board Auto Cut-Retail $269.99! Sale Only $220.64!

List Price: $269.99

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Item #: J79592. A printing speed of up to 200mm per second make the SRP-350plus one of the fastest cash desk printers in the world! Still, speed is not everything the SRP-350plus excels in – reliability and useful features like an on-board USB 2.0 interface that can be combined with an additional interface when required. Additionally, the printer can print vouchers and receipts in high-quality two-color. Product Description: Bixolon SRP-350plusC – receipt printer – two-color – direct thermal
Printer Type: POS receipt printer – direct thermal – two-color (monochrome)
Dimensions (WxDxH): 5.7 in x 7.7 in x 5.7 in
Max Media Size (Standard): Roll (3.15 in)
Max Media Size (Custom): 3.15 in
Print Speed: Up to 472.4 inch/min
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Interface: Parallel, USB
Flash Memory Installed (Max): 2 MB
Language Simulation: EPSON ESC/POS
Barcodes: Code 93, Code 39, QR code, EAN/JAN-8 , EAN/JAN-13 , UPC-A, Codabar, Code 128, PDF417, ITF, UPC-B
Media Type: Thermal paper
Fonts: 4 fonts
Features: Auto cutter, two-color thermal printing
Total Media Capacity: 1 rolls
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  • Brand: BIXOLON
  • Model: SRP-350PLUSCOPG
  • Format: CD
  • Dimensions: 6.60 pounds

Features

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