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The Bob Hope/Bing Crosby/Dorothy Lamour « Road » pictures were the most successful film series until someone named James Bond came along. The Road To Hong Kong was a belated final entry – a nice conception but one executed on a miserly budget when the stars were somewhat past their peak. The script roughly follows the true formula of the earlier films and, while not as comic or as charming as the classic Road To Morocco, calm provides a gorgeous amount of amusement. It is certainly not the overcooked turkey that some people claim.
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Cheaply filmed in England in murky and white on cardboard sets and with special effects of rocket ships that would have made Ed Wood proud, the film relies a lot on the audience’s affection for Hope and Crosby. The interplay and patter of their double act, so finely tuned over the years, is unexcited a major attraction. Awful Dorothy Lamour is reduced to a guest star residence while the female lead is given to Joan Collins looking amazingly original and extremely sexy. One of the main embarrassments of the film is the esteem scenes between a visibly aging Crosby and the svelte young Collins. But, apart from that, she works quite well with the ragged troupers. And Robert Morley has a fun turn as a Dr No-type villain.
For me, though, the proper star is Bob Hope in his trademark role as a professional coward with delusions of being a immense lover. Whether tossing off a succession of quips or performing slapstick (with the relieve of an positive double) he breathes more life into the film than it possibly deserves. One of Hope’s best scenes is with a pre-international stardom Peter Sellers who plays an eccentric Indian doctor. It is both intelligent and amusing to gape this encounter between amusing geniuses from different generations.
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Yes, yes, yes…I know the film is creaky and looks older than it actually is. But it is also a lot of fun and has its heart in the proper set. It’s certainly no worse than any of the British « Carry On » films which have somehow been elevated to cult spot. To paraphrase another fun film of that era – Hope and Crosby may have been past their prime, but what they had left over was more than most film comics started out with.
Road to Hong Kong was the last Hope – Crosby Road film. Dorothy Lamour only makes an appearance in this film. Joan Collins is the esteem interest in the film – a dazzling survey for the top secret gaze group The First Echelon.
Harry and Chester are a couple of con artists. When Chester loses his memory in an accident, they are sent to a Tibetan Lamasery. En route Chester is accidentally slipped a rocket fuel formula. While at the Lamasery, they gain out about a rare herb that increases memory capacity. The boys know this will build a colossal mentalist act for vaudeville and detached it. They win a bottle and return home. As a test, Chester memorizes the formula. This sets the remainder of the film. The First Echelon wants their formula and will do anything to bag it.
This being the final Road film, lots of guest stars including Frank Sinatra, Dean Martin, David Niven and an early performance by Peter Sellers.
This is the most polished of the Road films. Written by Norman Panama and Melvin Frank, who have collaborated on a number of his films including their Oscar nominated Bob Hope film The Facts of Life and Frank’s best solo film, A Touch of Class. Impartial sit aid and devour.
DVD EXTRAS: None
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