 |
Watch The Audrey Hepburn DVD Collection Movie Online.
Movie Title: The Audrey Hepburn DVD Collection The Audrey Hepburn DVD Collection is available for streaming or downloading. Click Here to Stream or Download The Audrey Hepburn DVD Collection |
Audrey Hepburn was — and remains — the perfect illustration of elegance and sophistication in Hollywood. A lot of actresses have tried to imitate her peek, but they couldn’t manage the same grace and skill, both onscreen and off.
Buy,Download, Or Stream The Audrey Hepburn DVD Collection! Click Here
And the « Audrey Hepburn Five Pac » brings together five of the films that helped shape that image, including her three top starmaking roles. Okay, they’re not her most impressive. But even when they’re uneven (« Paris When It Sizzles »), her movies are charming, sweet and unprejudiced a diminutive bit quirky.
Bored young Princess Ann (Hepburn) goes on a « Roman Holiday, » when she has a awful reaction to a sedative. She wanders straight into struggling American journalist Joe Bradley (Gregory Peck) . When he realizes she’s the missing princess, he takes her on a fun vacation in Rome, with his pal taking photos for a hit article. Yet he’s also falling in worship with Ann… and she’s torn between admire and duty.
Buy,Download, Or Stream The Audrey Hepburn DVD Collection! Click Here
« Sabrina » (Hepburn) is the daughter of the chauffeur at the palatial Larabee estate, and is in cherish with the ne’er-do-well second son, David (William Holden) . After a stint at a cooking school, where she gains sophistication and confidence, she returns to enthrall David. But since his brother Linus (Humphrey Bogart) has arranged a business marriage for David, Linus starts to woo Sabrina instead… and falls for her as well.
« Breakfast at Tiffany’s » is a daily ritual for Holly Golightly, a social butterfly. When kept man Paul Varjak (George Peppard) moves into a nearby apartment, he is instantly enchanted by the ditzy, sweet-natured Holly. But for all Holly’s fun, Paul starts to realize that all is not well with her. As Holly’s life starts to deteriorate, Paul sets out to indicate her what her life will be like without valid savor.
« Droll Face » becomes a misfortune for a fashion photographer Dick Avery (Fred Astaire) who is assisting a fashion queen with the original « pink » peek and the sparkling model peek. After a disastrous shoot at a boho bookstore, Avery is struck by the owner Jo’s (Hepburn) peek, and convinces her to become their newest model — and she only agrees to net to Paris so she can meet her popular philosopher. But she’s also falling in esteem with Dick and her modelling career.
« Paris When It Sizzles » features Richard Benson (William Holden), a laconic playboy screenwriter, who procrastinated on his forthcoming script until unprejudiced a few days before the deadline. So he hurriedly hires a secretary, Gabrielle (Hepburn) to back him arrive up with an belief and write it — except that all they can arrive up with, as they topple in like, are all sorts of completely bizarre scenarios.
Yes, they are all romantic comedies, completely unrelated except that all of them have Audrey Hepburn. But all three are fun, well-written (« You can’t live here! I live here! » « Hi, neighbor! »), and taking site in chic apartments, palatial mansions, Parisian runways, and the streets of Rome. And each has a theme: treasure that doesn’t near easy, whether the quandary is one of the people fervent, parents or unbiased different personalities.
There’s also slapstick comedy (David injuring his butt on champagne glasses), and more sophisticated comedy (like when Anna and Joe pretend that they were speeding on their scheme to gather married) . And Hepburn provides plenty of it, such as her crazy club dance or her encounter with a vampire.
Unlike many actresses, Hepburn’s best-known roles were NOT all alike, nor were they all carbon copies of her — we have wistful bohemians, party girls, alarmed teens, and chained-back princesses. Even when we shouldn’t really like the characters, she gave them warmth, sensitivity and likability that can’t be faked. And she could be very silly too — it’s hard not to laugh when Holly yells « Timber! », as a drunken guest keels over.
The Audrey Hepburn Five Pack clusters five of Hepburn’s most chic, charming movies, for those are impartial falling in appreciate, or who devour a splendid romantic comedy. Charming, cute and sweet.
Only Audrey Hepburn retains the level of cache that would interpret the constant repackaging of her films, and here are five films – three of which have already been presented as a station, the Audrey Hepburn Collection – presented in yet another DVD package. Her natural charm and grace are pervasive throughout – even when the vehicles themselves sometimes fail to seize – but all provide proof certain that she was among the most consistently affecting of actresses.
In a beautifully restored print, 1953′s Roman Holiday (*****) provides a most tantalizing introduction to the then-24 year mature actress thanks mainly to director William Wyler’s expert direction and Dalton Trumbo’s sweetly observant script. In hindsight, it is a modest performance compared to Hepburn’s later work, but Wyler knew enough to let her natural breeding befriend its purpose in conveying the carriage of a princess who experiences her first examine into the world outside her hermetically sealed world. The revelation here is really Gregory Peck, sparkling and stalwart as always but in this movie quite relaxed with a surprising light comedy touch. It is actually his Joe Bradley that goes through the dramatic character arc that makes the ending so bittersweet. Wyler’s humanistic touch is everywhere – from the funny haircutting scene with the smitten barber to the distinguished Mouth of Truth scene where Peck pretends to lose his hand to the concluding press conference, which turns into a dance of acting nuance and unspoken feelings. The 2002 DVD has a robust area of extras, including an honorable documentary on the production itself (peek for Hepburn’s first Hollywood cloak test) and other short films on the film’s restoration process and Edith Head’s contribution to Hollywood costuming.
With its cynical humor and the European-based sensibilities around different classes, 1954′s Sabrina (*****) is most definitely a Billy Wilder record. The film is not quite in the same league of other Wilder classics like Sunset Boulevard, Some Like It Hot or The Apartment, but on its hold, it’s an airy soufflé of a comedy served on a perfectly aesthetic warming dish. What I like most about this movie is that Wilder keeps the fairy legend trappings of the anecdote grounded in mordant wit and shrewd observations about business mergers, bribery and class snobbery. This is what keeps this movie surprisingly novel. Torn between the characters played by her leading men, Humphrey Bogart and William Holden, Hepburn as a chauffeur’s daughter is charming. This was her first introduction to Givenchy fashion onscreen, and the dissimilarity in her appearance between « Roman Holiday » and « Sabrina » is actually more startling than the one in the movie itself. It is no wonder she became such a style icon from that point forward. While Bogart is too dour in his role of older brother Linus (a role pegged for Cary Grant who canceled at the last dinky, damn the luck), Holden is hilarious as shallow, ne’er-do-well younger brother David. The ending is inevitable, but leave it to Wilder to mix sweet and sour better than a Cantonese restaurant. There is a brief making-of documentary on the 2001 DVD.
Presented in a modern 50th Anniversary Edition DVD, 1957′s Humorous Face (****) is a Hollywood confection teaming Hepburn with an effortlessly debonair Fred Astaire status to George and Ira Gershwin’s memorable music. The elegantly mounted numbers provide the ideal complement to the featherweight area centered on Dick Avery, a world-renowned, Richard Avedon-like fashion photographer who discovers his next superstar model in Jo Stockton, a bookshop clerk and aspiring philosopher, in time for a major runway event in Paris. Starting with the photography provided by Avedon himself, the film is stylish to the nth degree with a audacious color palette that director Stanley Donen and cinematographer Ray June bring to vibrant life. This level of blueprint will not sit well with some contemporary film viewers, and the opposites-attract storyline seems particularly forced here by the thirty years that separate the co-stars’ ages. Regardless, several individual elements work well beginning with Astaire who epitomizes class and artistic drive as Avery, and his dancing and singing remain undiminished by the years. Hepburn is certainly picture-perfect as Jo, looking particularly spectacular in the fashion shoot sequence. With her ballet training, Hepburn moves well in the dance numbers, though she is not a natural and seems oddly flat-footed when paired with the lithe Astaire. A couple of shorts are offered on the 2007 DVD, as well as a photo gallery and a disposable extra about Paramount movies in the 1950′s.
1961′s Breakfast at Tiffany’s (****) unexcited tells a interesting epic, yet the film has a dated feel perhaps because director Blake Edwards tries so hard to assume the upscale bohemian atmosphere of early sixties Unique York. In a role that author Truman Capote wanted to cast Marilyn Monroe, Hepburn is appetizing as the aptly named Holly Golightly and somehow dances around the fact that her character is a high-priced call girl through her sense of style, fun and vulnerability. Holly’s dismay of commitment is the crux of this tale, even though she is hopelessly drawn to a failed writer played by George Peppard, who is kept in elegant style by a wealthy matron played with conniving sophistication by Patricia Neal. Peppard is the aged link here as he doesn’t have the light touch required to maintain up with Holly’s shenanigans. The rest of the cast can be best described as eccentric, in particular, Buddy Ebsen as Holly’s backwoods first husband and an inappropriately cast Mickey Rooney as the Japanese neighbor upstairs. Henry Mancini’s romantic music provides the perfect accompaniment, and Hepburn’s plaintive, ukulele-strummed version of « Moon River » is serene the most definitive. The rain-soaked kiss in the alley is impartial about as splendid a scene as you are likely to peer in movies. One improvement over the Audrey Hepburn Collection is the inclusion of the 45th Anniversary DVD package released in 2006, which includes commentary from producer Richard Shepherd, a making-of retrospective featurette, a short about Hepburn’s fashion sense and two other shorts focused on Tiffany’s the store.
The least of the movies here, 1964′s Paris When It Sizzles (***) is a heavy-handed concoction that reunites Hepburn and Holden under the direction of Richard Quine. Working with an overly contrived, intermittently silly screenplay by George Axelrod, the overlong result feels like the old-style French farce upon which it is based but with the artificial veneer of 1960′s Hollywood studio product. The frothy area centers on aging Hollywood screenwriter Richard Benson, who is holed up in Paris attempting to beat the deadline station forth by big-time producer Alexander Meyerheim to execute his latest screenplay. Benson has to hand in the completed script in two days, but the scrape is that he hasn’t even started since he has been busy boozing and womanizing in typical alpha-male fashion. He hires impressionable Gabrielle Simpson as his live-in secretary and becomes inspired to write the aptly named « The Girl Who Stole the Eiffel Tower ». The rest of the movie goes aid and forth between the reality of the impending deadline at Richard’s apartment and the fantasy scenes of the screenplay coming to life. It does have its charms with some droll spy-caper turns and cameo appearances by Marlene Dietrich in a walk-on, Noel Coward as Meyerheim, and a particularly silly Tony Curtis as Gabrielle’s Method-style actor boyfriend. Hepburn is never less than charming here, while Holden keeps his innate hamminess in check. However, neither seems especially challenged by the humorous proceedings. The only extra on the 2001 DVD is the new theatrical trailer.
Smokeless Cigarette
Quit Smoking Cigarettes
How To Quit Smoking Cigarettes
Electronic Cigarettes
E Cigarettes