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Like many people who were weaned on the classic inspiring films made by Walt Disney, I have been less than thrilled by the onslaught of direct-to-video sequels the company has been producing the last dozen years. Starting with « The Return of Jafar » in 1994, we have not only seen sequels to many fresh intriguing films, such as « Beauty and the Beast: Enchanted Christmas » and « Lion King II: Simba’s Pride, » but direct-to-video follow ups to some of those classic Disney films, as is the case with « Lady and the Tramp II: Scamp’s Adventure » and « Cinderella II: Dreams Reach Honest. » Consequently, when I sat down to view « Bambi II » I was fully expecting to be bitterly disappointed. Instead I was pleasantly surprised (actually, I was floored) .
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« Bambi II » begins with the well-remembered moment from the unique when Bambi (voiced by Alexander Gould) is looking for his mother and The Titanic Prince of the Forest (Patrick Stewart) informs his son that she will not be coming attend, and ends with Bambi peaceful a fawn. The beloved characters Thumper (Brendon Baerg) and Flower (Nicky Jones) return, as does Feline (Andrea Bowen), but having more of an impact is a character who only appears briefly in the modern, Ronno (Anthony Ghannam), another fawn whose antlers have already advance in. Ronno not only keeps calling Bambi a baby and a coward, but is also making moves on Feline. Meanwhile, The Astronomical Prince is having misfortune with his recent responsibility for raising his young son and teaching him the ways of the forest, and Bambi is trying to note his father. Neither one of them is succeeding all that well.
Directed by Brian Pimental (who also voices both the Groundhog and the Porcupine), this 2006 direct-to-video release has several things going for it, starting with having Patrick Stewart order Bambi’s father. But the greatest strength is the
story by Pimental and Jeanne Rosenberg with a screenplay by Alicia Kirk inspired by the new chronicle of « Bambi » by Felix Salten. Bambi is trying to learn how to confront his horror and stand up to Ronno and other dangers in the forest. The film never uses the phrase « deer caught in a headlight, » but that is what Bambi looks like at times and it is something he needs to overcome. What I liked the best is that there are several moments when father and son open to connect, but it does not quite work out, so that there is actually some character development and not honest a sudden elated ending. Overall, there is actually more of a location here than simply Bambi growing up.
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The animation is done in the same style of the current classic, and if it is not as rich in detail the differences are far less than you would ask from a direct-to-video feature. I have always considered « Bambi » to have the most fair artwork of any of the Disney films, and this one does not suffer that powerful in comparison (the animators do seem to like shimmering yellows more this time around) . There is one cutesy animal sung song, « Let’s Stutter a Tickled Petite Spring Song, » based on Frank Churchill’s pick up for the unique film, but most of the songs succor as backdrops for various sequences and are done by some familiar country singers: Alison Krauss’ « There is Life, » Michelle Lewis’ « First Ticket of Spring, » and Martina McBride’s « Through Your Eyes. » Anthony Callea performs « The Healing of a Heart » during the closing credits.
The film is shown in « Family-Friendly Widescreen » (1.78:1), which is enhanced for 16 x 9 televisions, and also has a French language track. The bonus features on this DVD consist of a Making-Of featurette, « The Legacy Continues, » and a « Bambi’s Trivia Track » that can provide a constant stream of pop ups with fun facts as you gaze the film. Kids will relish « Thumper’s Hasten & Sail Game » and there is also a « Disney Sketch Pad » fragment in which Disney animator Andreas Deja teaches us how to plan Thumper.
The destroy result is a half-step down in quality from the fresh classic, which is astounding enough to account for rounding up on this one. Granted, no moving film will ever prefer the status that « Bambi » has in the collective psyche of the millions of youngsters who were devastated when Bambi’s mother was killed. Unexcited, « Bambi II » sets the bar exquisite high for a sequel (it is certainly honorable enough that they could have released this to theaters) and we can only hope future direct-to-video offerings will follow suit.
While some will undoubtedly accept it hard to embrace a follow-up to Disney’s 1942 classic Bambi, I found Bambi II to be quite exciting, comical, and very touching. I must admit I bring a somewhat novel perspective to this film, as I am one of the few living souls who hasn’t seen the current. For whatever reason, I never saw Bambi as a child, and – now that I’m an adult – I’ve resisted watching it because I have heard how black it is when Bambi’s mother dies. I can observe films with humans doing unspeakable things to one another and never bat an gaze, but it fair tears me up to scrutinize animals (whether genuine or cartoon) unlit and hurting. I can’t collect through Benji without sobbing, so I’ve honest never felt up to the task of experiencing Bambi. A grown man shouldn’t admit this, but – impartial in case you’re wondering – Bambi II did ruin up bringing a few tears to my eyes, as well. That’s okay, though. Movies like this aren’t unbiased for children; in many ways, their message plays more powerfully to adult viewers, reminding us of the significant things in life (especially in terms of the parent-child relationship) .
This isn’t a sequel to Bambi, I should effect, as the legend actually fits in to the middle of the recent film. Bambi has fair lost his mother, and now it is up to his father, the Gargantuan Prince, to assume care of him. The Astronomical Prince does not select to parenting naturally or easily; he feels that a doe should raise the child, and he asks Friend Owl to attend him come by a recent mother for Bambi once spring arrives. Bambi desperately wants to please his father, but he is objective too young to meet his father’s high standards. The Tall Prince wants Bambi to behave as a prince, not as a young deer. Fortunately, Bambi does have friends to play with, including Thumper and Flower. Thumper even tries to remark him how to be fearless. All Bambi really wants, though, is for his father to be proud of him and to actually present him some affection. Gradually, the Broad Prince begins to advance down off his pedestal to be an right, caring father to the youngster. The last half of the film is really more about the Astronomical Prince than it is about Bambi, if you ask me; it’s basically the sage of a father’s cherish. The climactic scenes really work beautifully, taking you from tear-inducing sadness to exhilaration and suspense, eventually bringing every emotional aspect of the whole anecdote to a deeply satisfying conclusion.
The two young kids supplying the voices for Bambi and Thumper are really fair marvelous, and Patrick Stewart brings astounding presence to the film as the convey of the Gigantic Prince. I also mediate the animation is fantastic. The animation crew may have extinct some digital tools, but they clearly tried to follow in the footsteps of Bambi’s illustrators in terms of their near to the whole project, taking peril to remain faithful to the seek and feel of the unusual. Since I haven’t seen the first Bambi, I can’t compare the two films at all – but I do assume the artwork of Bambi II really hits the note.
Along with the movie, you also collect a genuine assortment of extra features on the DVD, including an captivating ogle at the making of Bambi II – this is where you really regain a sense of the reverence Bambi II’s makers have for the novel film. You also have the option of watching the movie with various Bambi trivia and fun facts popping up at relevant times. A Disney animator shows budding young artists how to procedure Thumper, and there’s also a tiny « win Thumper » game for one or two players. Naturally, you also score previews of some coming Disney attractions.
All in all, Bambi II is an impressive package. The film itself is what truly matters, of course, and I reflect it is really helpful. Certainly, it’s aimed at a young audience, but I can’t agree with anyone saying there is nothing for adults in this film. Bambi II’s portrayal of the Immense Prince’s fancy for Bambi and his struggle to procure the best arrangement to raise the lad properly certainly touch upon issues that most parents will catch cessation to their heart. Bambi II certainly managed to touch my heart – and on more than one occasion.
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